Musicolinguistic artistry of niraval in Carnatic vocal music

Date

Authors

Radhakrishnan, Mahesh
Australian Linguistic Society

Journal Title

Journal ISSN

Volume Title

Publisher

Australian Linguistic Society

Abstract

Niraval is a form of virtuosic musicolinguistic improvisation in Carnatic music whereby a line within a song is repeated in various melodic and rhythmic manifestations within the rāgam (melodic framework) and tāḷam (beat cycle). For a Carnatic singer, niraval makes different aesthetic demands than other forms of non-textual improvisation within the tradition. To convey artful, sincere renditions of the same lyrical text, the singer-musician must imaginatively devise interesting repetitions which attend to both melodic and rhythmic elements and the lyric text. Combining melodic and rhythmic skill and verbal artistry in a range of South Indian languages as well as Sanskrit, Carnatic singers display extraordinary communicative and artistic competence and captivate their audiences. This paper analyses the musical and linguistic elements of a single niraval performance in Sydney’s Carnatic music community. It is hoped that such research will contribute to a greater understanding of the interplay of language and music in sung performance

Description

Keywords

Carnatic singing, ethnography, verbal art, music, improvisation

Citation

Radhakrishnan, M. (2012). Musicolinguistic artistry of niraval in Carnatic vocal music. In M. Ponsonnet, L. Dao & M. Bowler (Eds), Proceedings of the 42nd Australian Linguistic Society Conference – 2011, Australian National University, Canberra ACT, 2-4 December 2011 (pp. 423-464).

Source

Proceedings of the 42nd Australian Linguistic Society Conference 2011

Type

Conference paper

Book Title

Australian Linguistic Society Conference

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Access Statement

Open Access

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