Translating Peking Opera for the Screen: gender and the Didactic Politics of Legibility
| dc.contributor.author | Hu, Yidan | |
| dc.contributor.editor | Asl, Moussa Pourya | |
| dc.contributor.editor | Monsefi, Roya | |
| dc.date.accessioned | 2026-06-02T04:07:43Z | |
| dc.date.available | 2026-06-02T04:07:43Z | |
| dc.date.issued | 2026-05-29 | |
| dc.identifier.issn | 1440-9151 | |
| dc.identifier.uri | https://hdl.handle.net/1885/733809784 | |
| dc.rights | © 2026 The Author/s and Editors | |
| dc.source | Intersections: Gender and Sexuality in Asia and the Pacific | |
| dc.source.uri | http://intersections.anu.edu.au/issue53/hu.pdf | |
| dc.title | Translating Peking Opera for the Screen: gender and the Didactic Politics of Legibility | |
| dc.type | Journal article | |
| dcterms.accessRights | Open Access | |
| local.bibliographicCitation.issue | 53 | |
| local.identifier.doi | 10.25911/E4DQ-H498 | |
| local.mintdoi | mint | |
| local.publisher.url | http://intersections.anu.edu.au | |
| local.type.status | Published Version |
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