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Ren Hang: Bodies Without Redemption

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dc.contributor.authorChen, Shuxia
dc.date.accessioned2021-03-10T23:51:11Z
dc.date.available2021-03-10T23:51:11Z
dc.date.issued2017
dc.date.updated2020-11-15T07:26:57Z
dc.description.abstractOn 24 February 2017, photographer Ren Hang leapt to his death from a twenty-eight-floor building in Beijing. He had not yet turned thirty, but his work had already attracted considerable international attention. This essay retraces the path of Ren’s life, contextualising it within the rapidly developing field of Chinese photography. Beginning with the emergence of ‘private photography’ in China in the early 2000s, the article describes how a cultural industry made up of independent-publishing and photo fairs has blossomed in contemporary China.en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn2206-9119en_AU
dc.identifier.urihttp://hdl.handle.net/1885/227095
dc.language.isoen_AUen_AU
dc.provenanceThe publisher permission to archive the version was granted via email, archived in ERMS6085320en_AU
dc.publisherAustralian Centre on China in the World, ANUen_AU
dc.rights© 2017 Australian Centre on China in the World, ANUen_AU
dc.sourceMade in Chinaen_AU
dc.titleRen Hang: Bodies Without Redemptionen_AU
dc.typeJournal articleen_AU
dcterms.accessRightsOpen Accessen_AU
local.bibliographicCitation.issue2en_AU
local.bibliographicCitation.lastpage57en_AU
local.bibliographicCitation.startpage52en_AU
local.contributor.affiliationChen, Shuxia, College of Asia and the Pacific, ANUen_AU
local.contributor.authoruidChen, Shuxia, u5528450en_AU
local.description.notesImported from ARIESen_AU
local.identifier.absfor200202 - Asian Cultural Studiesen_AU
local.identifier.absfor220104 - Human Rights and Justice Issuesen_AU
local.identifier.ariespublicationu5557297xPUB285en_AU
local.identifier.citationvolume2en_AU
local.identifier.doi10.22459/MIC.04.2018.37en_AU
local.publisher.urlhttps://madeinchinajournal.comen_AU
local.type.statusPublished Versionen_AU

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