Kimmo Vennonen: Mirage (1994)

dc.contributor.authorComposer: Kimmo Vennonen
dc.contributor.editorGrafton-Greene, Michael
dc.date.accessioned2024-10-30T22:31:37Z
dc.date.available2024-10-30T22:31:37Z
dc.date.issued1994
dc.description.abstract"Mirage is an exploration of a technique I have developed that I call complex feedback. I used it on my 1989 CD with Jim Denley, Time of Non Duration, and Mirage is a further development. The technique involves linking digital and analog sound processors to a custom mixer with many patch leads - no synthesizers or sound generators are used. The result is a hybrid instrument with enormous timbral possibilities, having literally chaotic origins. The last time I assembled this instrument, I recorded two hours of interaction, mindful that nothing would sound the same again. Mirage was then composed from about ten minutes of the recording. These sounds have their own life, their own individual ways of moving and changing. Virtually no layering or further processing was used, so as to retain this original vitality." -- Kimmo Vennonen
dc.format.mimetypeaudio/wav
dc.identifierCSM20T4
dc.identifier.urihttps://hdl.handle.net/1885/733722851
dc.provenanceDigitised by the Australian National University in 2024.
dc.publisherCanberra School of Music, Australian National University
dc.relation.ispartofseriesAnthology of Australian Music ; Series 2
dc.relation.ispartofseriesAnthology of Australian Music on Disc (20)
dc.relation.ispartofseriesCSM 20: Electroacoustic Music
dc.rights© 1994 Canberra School of Music.
dc.subjectClassical Music
dc.titleKimmo Vennonen: Mirage (1994)
dc.typeSound recording
local.description.notesProduced by: David Worrall ; Recorded at: Canberra School of Music ; Recording date: October 1994

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