Richard Meale: Coruscations (1971)

dc.contributor.authorComposer: Richard Meale
dc.contributor.editorGrafton-Greene, Michael
dc.date.accessioned2024-08-19T04:24:43Z
dc.date.available2024-08-19T04:24:43Z
dc.date.issued1971
dc.description.abstract"Richard Meale has defined 'coruscation' as 'a series of rapid flashes of light, such as that coming from the Aurora Borealis'. Coruscations, for solo piano, has been described as 'a universe of brilliant sonorities, scattered and expansive like stars'. The paradox of the work is the impression of infinite variety and seemingly random invention set against a rigorous underlying organisation. The pitches of the work are strictly organised, with ten interrelated sonorities being subjected to transposition and permutation. Other aspects of the performance, however, are left to the individual. Thus, while pitches and theirtonal interrelationship remain fixed, the timing and spacing of. events will be unique to each performance. Like the night sky it describes, the logic behind the work is impossible to grasp at first or even second hearing, yet one suspects that a strong designing force is nevertheless at work." -- Deborah Crisp
dc.format.mimetypeaudio/wav
dc.identifierCSM24T12
dc.identifier.urihttps://hdl.handle.net/1885/733714898
dc.provenanceDigitised by the Australian National University in 2024.
dc.publisherCanberra School of Music, Australian National University
dc.relation.ispartofseriesAnthology of Australian Music ; Series 3
dc.relation.ispartofseriesAnthology of Australian Music on Disc (24)
dc.relation.ispartofseriesCSM 24: Pianos and Percussion - works by Glanville-Hicks, Westlake, Meale and Lumsdaine
dc.rights© 1996 Anthology of Australian Music on Disc
dc.subjectClassical Music
dc.titleRichard Meale: Coruscations (1971)
dc.typeSound recording
local.description.notesProduced by: Michael Grafton-Greene and Susanne Powell ; Recorded by: Michael Grafton-Greene ; Recorded at: Llewellyn Hall, Canberra School of Music ; Recording date: Aug-Dec 1995 (tracks 1-11) & Sept 1994 (track 12)

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